Some more quick character concepts for D&D's Dragon Heist. I had a lot of fun with the roguish gnome. #dnd #waterdeep pic.twitter.com/Sf1HaZC7Be
— Chris Rahn (@ChrisRahnArt) September 6, 2018
DnD
“Is it treasure-finding instructions?”
1)
“Is it treasure-finding instructions?” the thief asked eagerly.
The sage looked up at him rather sadly. “Did you find it atop bones, perchance?”
“Well, yes. The whole chamber was full of bones.”
“Human?”
“Human.”
“Umm.”#epic fantasy— Ed Greenwood (@TheEdVerse) July 19, 2018
2)
“Well? What is it?”
“This,” the sage told the ring of eager adventurers’ faces, “is a gravestone.” He pointed at the cryptic glpyhs. “This is Auld Low Merelander. And it reads: …#epic fantasy— Ed Greenwood (@TheEdVerse) July 19, 2018
3)
Sometimes You Eat The Wyvern/And Sometimes The Wyvern Eats You.”
“But the second bit, scratched along the bottom; what does THAT say?”
“That’s in Low Draconic, the tongue of many wyverns. It reads: Needed More Salt.”#epic fantasy— Ed Greenwood (@TheEdVerse) July 19, 2018
4)
As the explosion of profanity died down, the sage added wearily, “Not that sort of salt. Pay me my fee and go find another stone with glyphs on it, and perhaps you’ll enjoy a better result.”#epic fantasy— Ed Greenwood (@TheEdVerse) July 19, 2018
Handbooker Helper: Rogue
Best class. https://t.co/edY9sdlkX4
— Liam O'Brien (@VoiceOfOBrien) September 5, 2018
Who brought back Xanathar after he was killed in Eye of the Beholder?
Incidentally, who brought back Xanathar after he was killed in Eye of the Beholder?
— Jesse Heinig (@JesseHeinig) August 23, 2018
When the Xanathar dies, another beholder takes its place and its name. There have been several Xanathars. #wotcstaff https://t.co/2vA84THUgp
— Christopher Perkins (@ChrisPerkinsDnD) August 23, 2018
Why the Glamour College bard, ‘unearthly beauty’, what would you say constitutes as ‘unearthly beauty’ in a fantasy setting?
Out of sheer curiosity, @mikemearls @JeremyECrawford @ChrisPerkinsDnD the Glamour College bard option mentions ‘unearthly beauty’ multiple times.
In you own opinions what would you say constitutes as ‘unearthly beauty’ in a fantasy setting?#dnd #beauty We used the word in its normal senses: not mundane, supernatural, eerie.
— Jeremy Crawford (@JeremyECrawford) July 27, 2018
With the success of critical role do you feel pressure to take more “external” advice from others?
Hey @matthewmercer , just curious. With the success of critical role do you feel pressure to take more “external” advice from others than what you would do in a normal game?
— Michael Johnson (@Michael97095609) August 20, 2018
Honestly, one of my fears was ever letting the outside elements affect how I ran and enjoyed our game. I’ve worked very hard to keep an influence minimal. While it may have led to less-than-optimal presentation at times, ultimately I don’t care. I want to keep it our game. 🙂 https://t.co/NzKSteLbG7
— Matthew Mercer (@matthewmercer) August 20, 2018
Will Elminster make an appearance in 5e?
Will Elminster make an appearance in 5e?
— Hanno Ziegler (Ronin-sama; Donut) (@ronin_sama) July 6, 2018
Hasn’t he? I work so far ahead, it’s hard to remember sometimes. Also, whenever I see @TheEdVerse I think, ah, there he is! #dnd https://t.co/SPcXgHX52K
— Christopher Perkins (@ChrisPerkinsDnD) July 6, 2018
Well, Elminster did appear in THE HERALD, SPELLSTORM, and DEATH MASKS, all novels set in the 5e era. So he's around, all right. ;}
— Ed Greenwood (@TheEdVerse) July 7, 2018
I’m developing a new style of DMing for myself:
I'm developing a new style of DMing for myself, riffing off my earlier tweets about railroading. It boils down to this – in a game of D&D, the DM provides the foundation of energy and action for the session, but NOT the direction. I'll explain using combat as an example.
— Mike Mearls (@mikemearls) August 2, 2018
I've been putting a lot of work into my combat management and presentation over the last few months, especially as streaming is something I do more of and, honestly, really love doing. It has made DMing into a true skill you can watch grow. I love that.
— Mike Mearls (@mikemearls) August 2, 2018
In combat, my job as a DM is to provide forward energy, narrative opportunities, and quick pivots to avoid dead spots. The bad news is that doing this well is hard and burns a lot of energy. The good news is that if you hit a 5 on a 10 point scale, you're still doing fine.
— Mike Mearls (@mikemearls) August 2, 2018
You can break combat down into three basic informational nodes:
1. A player's turn
2. The DM's turn
3. The system's turnAs a DM, you have a different job at each node.
— Mike Mearls (@mikemearls) August 2, 2018
On the player's turn, your job is to prevent interesting framing elements and narrative opportunities that help a player form an action.
On the DM's turn, your job is to resolve NPC/monster actions in a way that delivers both narrative and system information.— Mike Mearls (@mikemearls) August 2, 2018
The system's turn is all the bookkeeping stuff you need to do that interrupts the narrative flow. It pokes up everywhere. Your job is to make that stuff as painless as possible. Ideally, the rule set itself steps in to make that a breeze.
— Mike Mearls (@mikemearls) August 2, 2018
In D&D, on a player's turn your job is to set up the player's choice. Don't just say, "What do you do?" Consider the player, their character, and then drop in a call to action. Let's say Kate is about to take her turn. She's playing a tiefling wizard.
— Mike Mearls (@mikemearls) August 2, 2018
Situational awareness is key. Kate is low on HP after the kenku archer tagged her a few times. So, play into that:
"The pain from your injuries seems to make the world spin, but all settles into place as you lock eyes with that kenku archer. He winks and takes aim at you."— Mike Mearls (@mikemearls) August 2, 2018
You've done two things here – given the player an obvious path to decide around and you've also given the rest of the group insight into her situation. That might remind the cleric to get a healing spell ready on his next turn.
— Mike Mearls (@mikemearls) August 2, 2018
You've also saved some time by providing key info without the player needing to ask. Embedding that in the narrative keeps things moving by cutting down on questions.
— Mike Mearls (@mikemearls) August 2, 2018
On our monster's turn, this is your chance to inject personality and roleplaying. You can prep notes ahead of time, use random tables, or build on things as they arise due to the vagaries of the dice. Let's take that kenku archer as an example.
— Mike Mearls (@mikemearls) August 2, 2018
I might suspect he'll be a key part of the fight, so ahead of time I pick one of the backgrounds from the PHB and use its tables to generate his personality. I know that he's a bandit, so I use the criminal tables. I'll pick or roll a thing from one table – don't need all three.
— Mike Mearls (@mikemearls) August 2, 2018
I get "Never tell me the odds." I think Han Solo, so I think of this guy as a swashbuckler kind of guy. When he attacks, if he hits I throw in little quirks – he winks, he makes the sound of someone gasping and dying, he toys with the characters.
— Mike Mearls (@mikemearls) August 2, 2018
I want him to be imposing, so I highlight the player's skill or his bad luck of he fails. The fighter gets his shield up just in time, and the arrow pierces the shield and stops a fraction of an inch away from his throat.
— Mike Mearls (@mikemearls) August 2, 2018
The dice be damned, I'm making this guy a star! And now, both I as DM and the players have a hook to work around. The players start thinking about cover, I bounce back to him even as I describe other creatures' actions.
— Mike Mearls (@mikemearls) August 2, 2018
The thugs close in to attack, but I describe how they keep a clear alley for the sniper to fire. Repetition is super useful here, as it frames things consistently and keeps your information flow clear and easy. Less is more. Not every monster or NPC is a star.
— Mike Mearls (@mikemearls) August 2, 2018
What's important here is that I'm framing the scene, but it is all within my domain as DM. The players can make choices as they wish. They can take cover, they might see this kenku as someone worth recruiting, etc. But, absent that initial push he'd just be a bag of HP.
— Mike Mearls (@mikemearls) August 2, 2018
This approach is all about keeping roleplay an element in all aspects of the game, and I've found that it helps keep that shared, story space flowing even while dice are flying and people are tracking numbers and doing math.
— Mike Mearls (@mikemearls) August 2, 2018
And that brings me to to my final point – RPGs are descriptive rules sets. They describe a thing that we naturally do, rather than tell us how to do it. In the ideal world, the rules are just part of the flow. But sometimes, they can bring things to a halt. That's, obviously, bad
— Mike Mearls (@mikemearls) August 2, 2018
Easy fixes – take good notes, bookmark the rules, use @DnDBeyond for quick lookups (#WOTCstaff), but also keep an eye out for when you just make a ruling up on the spot to preserve the narrative energy and immersion.
— Mike Mearls (@mikemearls) August 2, 2018
My rule of thumb – does looking up the rule increase or decrease tension? It can cut both ways – the group holds its breath as we check to see if the sanctuary spell works on that critter that's immune to being charmed.
— Mike Mearls (@mikemearls) August 2, 2018
That's a big, juicy moment where the rule reference causes us to linger on a big turning point. Don't underrate the potential for the rules' intrusion to add a compelling beat to the action.
— Mike Mearls (@mikemearls) August 2, 2018
Opposite situation – do I have +1 or +2 to this damage roll? Really, unless the target is down to its last HP it is irrelevant. Err in favor of the players and keep things moving (NPCs don't argue and insist on looking up rules).
— Mike Mearls (@mikemearls) August 2, 2018
Taken as a summary – pick a flavor point or two to build your combat narration around, and hit it over and over gain. Lead into each player's turn with a narrative challenge, look up rules only when doing so makes things more tense or exciting.
— Mike Mearls (@mikemearls) August 2, 2018
Your main skills – read a LOT to build your vocabulary, remain focused on the game and take note of the details, and remember that the game is personal. Make each player the star of their turn.
— Mike Mearls (@mikemearls) August 2, 2018
Loved the thread. That’s a lot of note-taking – any tips? I was using @ChrisPerkinsDnD 2-sided page format by now, but this require more..how do you do it? I use an over-sized graph paper pad I found at Staples – can fit a map, along with notes for a session.
— Mike Mearls (@mikemearls) August 3, 2018